The better you understand the technology we dj with, the more empowered you are to fix problems and improve performance. Last week we published an article on fixing common timecode problems. This week ...

Video Assist 2.2 is a major update that expands the toolkit further by introducing Timecode Support, Tentacle Sync ...

Source timecode is important for a number of post-production workflows from being able to track down a specific place in a shot to being able to properly conform an offline for color correction. Final ...

When shooting ``a movie that displays images shot by multiple cameras while switching one after another'', it is necessary to align the time axis using a clapperboard or time code synchronization ...

Sound sync is a complex area in filming, and the clapper is still king. Now Ari Krupnik is designing a simple solution that mixes software with satellites, and he wants your feedback. Keep reading!

While it remains critical on set, Phil Rhodes asks whether in 2015 there are better solutions than continuing to use timecode in post. It's been decades since we started identifying the individual ...

The common assumption is that by feeding timecode to camera you will keep camera and sound in sync. Unfortunately this is not so, Timecode and Sync are not the same thing. Timecode is in fact only ...

a note from the editor.. Timecode records are an amazing technology but sometimes their performance can be a fickle beast. DVS systems like serato and traktor scratch are subject to a wide number of ...

Video frames are numbered in the format hours:minutes:seconde:frames (01:00:23:04) There are several frame rates possible. Broadcast in the Americas uses a rate of about 29.97 frames per second (FPS), ...